blamebrampton (
blamebrampton) wrote2010-01-07 11:38 pm
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A lovely thing, and then some ranting
First, A LOVELY THING! Which is a rec.
Draco Malfoy and the Deathly Hallows is the final work in
hd_holidays . A multi-panelled artwork with minimal additional text, it tells the story of book 7 with small, vital changes. It is no exaggeration to say that this is the story I hoped for when Mr Brammers brought the actual book home from the shop (I had influenza and was in bed). Beginning in the Malfoy dungeons (Luna in ankle-socks! Absolutely perfect), it tells the story of what would have unfolded had Draco been able to find the ability to make a different choice in his actions during the war.
Convincing and compelling, the narrative skips across the second half of the book, pausing at crucial moments. The Hufflepuff Cup, Fiendfyre, Snape's death ... these and more are addressed, but with the difference that a morally courageous Draco could have made.
Not only is the central thesis captivating, the art that accompanies it is nothing short of gripping. Drawn in a spare almost-monochrome, it focusses attention down on the drama of each moment, showing story in the gesture of a hand, the hopelessness of a look. For all the drama, there are moments of humour, too, gently done and finely judged in tone.
The artist (because artists are very rarely the least bit anon, even if this artwork has an uncharacteristic lack of boy snoggin) is one of my faves, because she makes me look at canon and fanon in new ways each time. This piece is no different, save that instead of opening up new parts of the text for me, it reminded me again how sad I was when I reached he end of DH and Draco was still a feeble cypher.
Even Mr Brammers finished HP7 with a 'Hmph, I liked most of it, but I was convinced that Malfoy would come good by the end. What was the point of all that stuff in the other books if he wasn't going to learn anything from it?' Exactly right! And this piece helped immensely with that. In fact, I'm going to pull it up for him and see if I can break his fandom virginity.
To end, a spot of ranting:
Does watching television make people stupid? (Yes, obviously.)
Outside of America, a white person offering a black person fried chicken is nothing more than a friendly gesture of shared crap food, unless one of them is a cardiologist, in which case it is a neat piece of bastardry in either direction.
Also, Doctor Who has a long and proud history of supporting gingers!
On a final, political, note, Fuck me, Japanese whalers! Who do you think you are? French? Not cool!
Draco Malfoy and the Deathly Hallows is the final work in
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Convincing and compelling, the narrative skips across the second half of the book, pausing at crucial moments. The Hufflepuff Cup, Fiendfyre, Snape's death ... these and more are addressed, but with the difference that a morally courageous Draco could have made.
Not only is the central thesis captivating, the art that accompanies it is nothing short of gripping. Drawn in a spare almost-monochrome, it focusses attention down on the drama of each moment, showing story in the gesture of a hand, the hopelessness of a look. For all the drama, there are moments of humour, too, gently done and finely judged in tone.
The artist (because artists are very rarely the least bit anon, even if this artwork has an uncharacteristic lack of boy snoggin) is one of my faves, because she makes me look at canon and fanon in new ways each time. This piece is no different, save that instead of opening up new parts of the text for me, it reminded me again how sad I was when I reached he end of DH and Draco was still a feeble cypher.
Even Mr Brammers finished HP7 with a 'Hmph, I liked most of it, but I was convinced that Malfoy would come good by the end. What was the point of all that stuff in the other books if he wasn't going to learn anything from it?' Exactly right! And this piece helped immensely with that. In fact, I'm going to pull it up for him and see if I can break his fandom virginity.
To end, a spot of ranting:
Does watching television make people stupid? (Yes, obviously.)
Outside of America, a white person offering a black person fried chicken is nothing more than a friendly gesture of shared crap food, unless one of them is a cardiologist, in which case it is a neat piece of bastardry in either direction.
Also, Doctor Who has a long and proud history of supporting gingers!
On a final, political, note, Fuck me, Japanese whalers! Who do you think you are? French? Not cool!
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This is in Australia BTW. What the hell is the world coming to?
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YES.
I kinda feel like KFC now though. That ad made me hungry. Damn ads!
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As to DH as it is, I think a real opportunity was missed. With HBP, Draco went from being a background character to a major actor in the events unfolding. In many ways, he drops out of the picture in DH. It's not that I always think he should have joined the Order, I just think the evolution he went through was just as important to the wizarding world as the transformation Ron went through (for instance). JKR had created a wonderful character with Draco and then she just threw that away. imho, of course.
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Outside of America, a white person offering a black person fried chicken is nothing more than a friendly gesture of shared crap food, unless one of them is a cardiologist, in which case it is a neat piece of bastardry in either direction.
Oh good Lord, so true.
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Wasn't the doctor complaining that he wasn't ginger?
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And could some one please explain to me why the black and white minstrals on Hay Hay were racist and Tracey Ullman dressing up as a black chick is not.
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it reminded me again how sad I was when I reached he end of DH and Draco was still a feeble cypher.
Draco moves from character-of-depth-with-difficult-choices at the end of HBP to oh-sorry-you-thought-he-was-a-real-person?-he's-just-a-mcguffin at the end of DH :-( Even more than the expulsion of Slytherin, this is what drove me mad about DH. >:-[
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<tongue firmly in cheek, except the Weasly proliferation thing>