Why fan fiction?
Aug. 22nd, 2011 01:11 am![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
As a deeply serious person, I was not surprised that a number of the RL friends who have stumbled over to this LJ have said to me: 'Fan fiction, Brammers? Really?'
I usually reply, 'Look, I tried cold fusion, but it was really hard!'
More seriously, I am still surprised that the question is asked. As many people have commented, no one asks why artists draw their own variations on famous artworks, or why singers cover other people's songs.
But I think that as well as the blindingly obvious reasons, there are a lot of more subtle ones, and that not all of us have the same motivations. These are the major sets that occurred to me, mostly from the perspective of writing, but also somewhat for readers (most of the writer ones also work for artists, but I did not have enough brain to be specific all the way through). I apologise in advance for missing something obvious, I am still getting over damned influenza. Despite me dividing these groups into sets, I think that most people belong to at least a couple, if not more.
1. It's all about le jeu
There is something enormously fun about playing with a text. The what-ifs, and the between-the-lines; the previouslys and the afters ... Say what you like about Derrida but he hit the nail on the head when he spoke about the way that any story could be enriched by playing about with it. For me, this is the reason why I only do Harry Potter fandom: JKR's worldbuilding is much bigger than her seven books, and so there is an enormous amount of world there that we know nothing about. Her texts invite interrogation, as I would have said back when I was more of a literary wanker than I currently am (oh yes, it could be worse!) and they reward that, too.
The whole idea of slashing characters is a perfect example of this. On the one hand it takes small textual notes and blows them up for investigation, on the other hand it takes the great children's novels of our age and reinvestigates them in the light of one of the great political debates of our age. Ladies and gentlemen of slash fandom, you are quiet revolutionaries.
AU writers do this more explicitly than most. By taking canon events and throwing them to the wind, they let us see the strengths of the canon in wholly fresh ways. In the best of these fics, we have canon characters in worlds utterly unlike the ones that we know, and yet highlighting the character notes that make us love them and showing how much we are made by our world and how much who we are makes it.
But strongly canonical fanfic writers are also engaged in postmodern play. By taking the text out of the hands of the author and into our own, we all step away from the traditional divide between writer and reader and instead say that these are characters for everyone to invest in, both imaginatively and receptively. Of course, we in HP fandom don't want our author dead. We like her a lot!
(Though one can't help being slightly envious of the people making a living off their Jane Austen fanfic. Paid for writing about Lizzie, Darcy and Zombies, genius! (Shame the execution wasn't quite up to the idea.))
2. I didn't want it to end
I often say that the first I knew of fanfic was back in 2007 when I heard about my friend Gillian writing it and was CRUEL and boggled at her. Then I read her stories and was instead impressed and encouraging. And smitten. The rest is a history of tragically missed deadlines.
However, this is not entirely true. Looking back, the REAL first I knew of fanfic (aside from a vague knowledge that people thought that Kirk and Spock should be an item) was when I was five and I saw The Red Shoes and at the end, when Moira Shearer is being cradled in the arms of her on-screen husband, I turned to my father and said, 'But she's not dead, is she?' with a little catch in my voice. (I was very into ballet and he had form for totally inappropriate entertainment choices by then. King Lear … I ask you.)
'No,' he replied promptly. 'She had her feet cut off by the train, but she's otherwise fine.'
I then spent weeks telling him stories of the beautiful footless ballerina who did wonderful fouettes on her crutches and who eventually had two artificial feet made that had springs in them, and how she and the composer had many children who divided their energies amongst dance, music, and prosthetics manufacturing.
Having spoken with many people about the stories that speak to them since then, this seems to be normal. Stories matter to us. Sometimes the end comes too soon. Continuing the story in a discussion is a staple of after-theatre conversation. Or for films – before sequelitis rendered it redundant, people would often wonder what happened next. It's natural that some would write about it, or dress up and play it – Star Wars came out when I was 10, and children wrote themselves into that story in games across the world (as did some adults). I remember because I bloody well hated Princess Leia (I was a short brunette with long hair, but if we were going to play Star Wars, I wanted to be Han Solo!) These days there are Leia cosplayers across the internet, bless their slavey breastplates, and no doubt a thousand stories telling just what she meant by that kiss for luck.
For people who are not ready to let go yet, fanfic is a perfect place to hold on for a bit longer to the story, and to see the original afresh through the eyes of others.
3. I want to know what happened
This is another one that I identify with and that I think is particularly pertinent to Potter fic. Sometimes, there is a lot more to a story than on a page. JKR gives us about 100 pages all-up about the First Wizarding War, and then about 40 pages about the Ministry itself (there's a lot more when you include action that occurs inside the Ministry). To which I say: 'You are a genius, but I want a whole lot more of the Marauders and the Politics!'
She, of course, needs only enough to make the rest of the story happen. Now I have no doubt that she has oodles of detail tucked away about the rest of her world and that one day so much will come out in Pottermore that I will never again need to write another word of fan fiction, but until that day, the only way to puzzle out what was happening in the periods and places outside the main text is to take the clues that exist within canon and then make like a Hercule Poirot and use our little grey cells to laboriously piece together a plausible story to make sense of the facts. And done well, this is what gives us the fanfics that resonate with readers (er, obviously most of those are not about politics. That's just me. And
byblythe, My Glorious Leader For Whom I Am Grateful.)
4. I want to fix that
When I see a bad show or film, or read a bad book, my natural response is to feel tremendously sorry for everyone involved in that travesty. Nicer people pick out the best bits and then rewrite the rest around them to rescue the possibilities of a story from the clusterfuck that happened the first time around.
In my perfect world, these people are employed in Hollywood and Snakes On A Plane was every bit as good as the title suggested.
The fix-up writer can also be of the type that fixes problems that not everyone thinks are problems. For example, some people write H/D because they cannot stand the idea of Harry Potter marrying Ginny Weasley and they want to rescue him from such a fate. I can see how the lengthy Oedipal issues and singular lack of chemistry between the film actors could lead you in that direction. There is room in this broad church of fandom for all such thinking – as long as no one behaves like the Westboro Baptists. I am glad I missed the Ship Wars Of Whispered Legend, as they sound like a whole lot of crazy to no purpose. We're writing fanfic, kids, none of it is more 'real' than the rest of it.
I do suspect that the writer and (perhaps especially) the reader motivated by 'fixing' could be prone to a little over-investment at times. The two large outbreaks of HOW DARE SHE? that I have seen directed at writers in my time here came about when stories seemed to be possibly about to end with one pairing and then ended with another. In one case, I could sort of see the point if I squinted, because it had been listed as X before it became Y, in the other case I was stunned, because blind Freddy and his dog could see that it was Y all along, but in both cases there was genuine outrage in some camps. Most surprisingly, not one of the people complaining wrote fixup fic to fix the fic. NB that I am all for people having a winge about not liking an ending if they want to, it was the outrage directed at the writer that was boggling.
5. It's all about the community
Fandom is mostly a lovely place to hang out. Quite literally, I have met some of my dearest friends in fandom. One or two of them I might have come across in other ways, but never the others. It's a source of great joy to me to know them.
There is a sufficient diversity of people that you are very likely to find a small set at least with whom you rub along well, and if you are a keen organiser, you can make a significant difference to the community and see it improve as a result of your efforts (far faster than in the real world, most of the time).
For people who are shy, fandom doesn't place huge expectations on you to be forward, and for people who are forward, there are others who will always be happy for the company or for the entertainment.
Your life experiences are often in line with those of others, or else valuable for giving advice, comfort or support to others. There is a real sense of sharing and giving that is respected and well-regarded, and these are all very positive aspects of the community that make it a valuable place for us.
Occasionally people act like complete bananas, but that's true of everywhere. Usually they go back to being fine after the bananadom passes, which is not always the case in many other aspects of life. And if you have irreconcilable differences, you can always defriend them! So much easier than in RL!
The other good community aspect of fanfic is finding writers and artists who function together in a mutually supportive way. I am reading a story at the moment from a fest last year, which was written by one friend of mine and then beta-ed by two others (and some other people). I can see the pen of the author, but I can also see the other two helping her to shine in ways that might have been a bit less obvious had she worked without their influence (which is not strong enough to be a collaboration, while being beyond a simple edit). I know that thousands of miles separate the author and one of her betas, but thanks to the magic of fandom, they were able to come together and make something that is so far very beautiful (I feel sure it will be all the way to the end, but I like to hedge my bets!)
6. I need the practise
For me, this is a brilliant reason to write fanfic. Whether someone needs to learn how to write, to work on a particular element of story work, or else to just practise the discipline of sitting down and doing it, fic gives a supportive framework that lets anyone form the novice to the published writer slot in at a level he or she feels comfortable with.
This is one area where I think Fests are a really good idea, because most act like supportive workshops for writers -- indeed, many actually come along with comms that function as workshops. Novice writers can be paired up with betas who can hold their hand and help them to get the words down on paper, and then fest feedback tends to be overwhelmingly kind and encouraging, which is a good thing on the whole, as writing is like singing in public or declaring your love for someone – quite soul-baring for most!
The one area in which fanfic is not as helpful for writers as practise is in looking for serious criticism, because it's bloody hard to find. And sometimes the criticism you are given is not 'this is what is flawed with your story', but rather, 'this is what I wish you had written instead'. Luckily, the fanfic community also comes with a beta-ing community, and most people who beta are brilliant and adept at telling writers what could be better in ways that encourage them to be better rather than to sit under the shower crying for half an hour.
Alas, I am the unhelpful and inappropriate sort of beta, ask
chantefable.
7. I need the praise
There is absolutely nothing wrong with needing a good solid bit of encouragement!
Praise is not common enough in the real world. We hear all about it when we cock up, but there is not enough 'YAY! Good work!' when we do some things well. One of the nicest things about fandom is the emphasis on comments and recs, which make it clear that your work is appreciated.
And it's not just writers and artists who are appreciated. People who make comms, produce podfics, make translations, run fests, who are generous with their praise or encouraging to others are all celebrated within fandom, which is something the real world could do with more of. In my industry, we have awards for the best editor, best art director, best headline, but not for the best cleaner, the best prepress person or the best editorial asssitant, despite those people all being essential to what we produce.
Some people in fandom do make more of a performance out of everything than others and can come across as praise-focussed, but seriously, we live in the age of Lady Gaga: is it any surprise that a layer of theatricality can be desirable to some in their connections with the internet at large? (Remember that you are being asked this by a woman who not-infrequently refers to herself in the third person, using a pseudonym.)
I do sometimes wish that some people in fandom stretched themselves more in their writing and art, but this is because I am greedy and when I see someone who I think is amazing sticking to fairly safe audience pleasers, I greedily want to see what they would produce if they tackled something tougher, because I am fairly sure they would be brilliant. But that's my problem, not theirs.
Unless they're sticking to safety for fear of failure rather than just because they enjoy it, in which case, failure is fun! You should see me play tennis, it's HILARIOUS! (Well, unless I am playing doubles, in which case it is frustrating for my partner, but they will have bullied me into it after being warned, so it's not my fault. I am good at sport, I am wretched at tennis. Ergo, tennis is a Dark Art and not a sport. QED.)
8. I really just want to read
Fandom is a great place for this set who just stick to reading. Things are free, there is a seemingly endless supply, and some of the works are of truly brilliant quality. Laughing!
Some of this set has surprisingly felt that they weren't 'doing enough' in the past. They were people who really loved to read and wanted to be involved at a higher level, so felt pushed to writing as a 'contribution'. Since Glompfest was invented, I have not read a single person say that this was why they were writing fic, while before it was a rare but definitely seen motivation.
I love the fact that Glompfest makes people feel appreciated without making them feel they have to produce things. At the same time, some of the people who complained that they felt they had to produce something ended up loving it and being brilliant at it. While I am never one to make people feel they have to do anything, I do think that if people have even an inkling of an urge, they should give it a go. And then post it somewhere like ffnet or deviant art where there is a bigger audience than on LJ so you won't be miserable if you have the bad luck to put it up on the one day when all your flist has the flu, finals, and work deadlines and so misses it.
9. I'm here for the porn (though what I am doing on this journal is a mystery)
My dear and brilliant friend
calanthe_fics assured me this category of writers and artists exists and that there are many in fandom for whom panty-melting is a desirable quality and not a warning to stay well away from heaters while wearing nylon scanties. I replied that they were doubtless interested in pursuing the idea of character being revealed through sexuality and extremity that is so brilliantly explored in her work and that of others. She patted me on the head and asked me when I was going to confess to being a nun and making up Mr Brammers.
I have no idea what she means. Mr Brammers totally exists.
treacle_tartlet has met him!
10. IT IS MY LIFE
I know that these people exist, and that they are focussed on their fandoms beyond the abilities of mere mortals. But regardless of how much some of my flist loves Potter, I've seen the Twilight people, and this set has its spiritual home over there.
Being unable to focus on even my own essay for 10 whole points, I will just smile nicely at this set, and agree that it must be lovely to have a boyfriend who sparkles, and then back away, slowly, maintaining eye contact until I am at an appropriate point to …
… run!
I usually reply, 'Look, I tried cold fusion, but it was really hard!'
More seriously, I am still surprised that the question is asked. As many people have commented, no one asks why artists draw their own variations on famous artworks, or why singers cover other people's songs.
But I think that as well as the blindingly obvious reasons, there are a lot of more subtle ones, and that not all of us have the same motivations. These are the major sets that occurred to me, mostly from the perspective of writing, but also somewhat for readers (most of the writer ones also work for artists, but I did not have enough brain to be specific all the way through). I apologise in advance for missing something obvious, I am still getting over damned influenza. Despite me dividing these groups into sets, I think that most people belong to at least a couple, if not more.
1. It's all about le jeu
There is something enormously fun about playing with a text. The what-ifs, and the between-the-lines; the previouslys and the afters ... Say what you like about Derrida but he hit the nail on the head when he spoke about the way that any story could be enriched by playing about with it. For me, this is the reason why I only do Harry Potter fandom: JKR's worldbuilding is much bigger than her seven books, and so there is an enormous amount of world there that we know nothing about. Her texts invite interrogation, as I would have said back when I was more of a literary wanker than I currently am (oh yes, it could be worse!) and they reward that, too.
The whole idea of slashing characters is a perfect example of this. On the one hand it takes small textual notes and blows them up for investigation, on the other hand it takes the great children's novels of our age and reinvestigates them in the light of one of the great political debates of our age. Ladies and gentlemen of slash fandom, you are quiet revolutionaries.
AU writers do this more explicitly than most. By taking canon events and throwing them to the wind, they let us see the strengths of the canon in wholly fresh ways. In the best of these fics, we have canon characters in worlds utterly unlike the ones that we know, and yet highlighting the character notes that make us love them and showing how much we are made by our world and how much who we are makes it.
But strongly canonical fanfic writers are also engaged in postmodern play. By taking the text out of the hands of the author and into our own, we all step away from the traditional divide between writer and reader and instead say that these are characters for everyone to invest in, both imaginatively and receptively. Of course, we in HP fandom don't want our author dead. We like her a lot!
(Though one can't help being slightly envious of the people making a living off their Jane Austen fanfic. Paid for writing about Lizzie, Darcy and Zombies, genius! (Shame the execution wasn't quite up to the idea.))
2. I didn't want it to end
I often say that the first I knew of fanfic was back in 2007 when I heard about my friend Gillian writing it and was CRUEL and boggled at her. Then I read her stories and was instead impressed and encouraging. And smitten. The rest is a history of tragically missed deadlines.
However, this is not entirely true. Looking back, the REAL first I knew of fanfic (aside from a vague knowledge that people thought that Kirk and Spock should be an item) was when I was five and I saw The Red Shoes and at the end, when Moira Shearer is being cradled in the arms of her on-screen husband, I turned to my father and said, 'But she's not dead, is she?' with a little catch in my voice. (I was very into ballet and he had form for totally inappropriate entertainment choices by then. King Lear … I ask you.)
'No,' he replied promptly. 'She had her feet cut off by the train, but she's otherwise fine.'
I then spent weeks telling him stories of the beautiful footless ballerina who did wonderful fouettes on her crutches and who eventually had two artificial feet made that had springs in them, and how she and the composer had many children who divided their energies amongst dance, music, and prosthetics manufacturing.
Having spoken with many people about the stories that speak to them since then, this seems to be normal. Stories matter to us. Sometimes the end comes too soon. Continuing the story in a discussion is a staple of after-theatre conversation. Or for films – before sequelitis rendered it redundant, people would often wonder what happened next. It's natural that some would write about it, or dress up and play it – Star Wars came out when I was 10, and children wrote themselves into that story in games across the world (as did some adults). I remember because I bloody well hated Princess Leia (I was a short brunette with long hair, but if we were going to play Star Wars, I wanted to be Han Solo!) These days there are Leia cosplayers across the internet, bless their slavey breastplates, and no doubt a thousand stories telling just what she meant by that kiss for luck.
For people who are not ready to let go yet, fanfic is a perfect place to hold on for a bit longer to the story, and to see the original afresh through the eyes of others.
3. I want to know what happened
This is another one that I identify with and that I think is particularly pertinent to Potter fic. Sometimes, there is a lot more to a story than on a page. JKR gives us about 100 pages all-up about the First Wizarding War, and then about 40 pages about the Ministry itself (there's a lot more when you include action that occurs inside the Ministry). To which I say: 'You are a genius, but I want a whole lot more of the Marauders and the Politics!'
She, of course, needs only enough to make the rest of the story happen. Now I have no doubt that she has oodles of detail tucked away about the rest of her world and that one day so much will come out in Pottermore that I will never again need to write another word of fan fiction, but until that day, the only way to puzzle out what was happening in the periods and places outside the main text is to take the clues that exist within canon and then make like a Hercule Poirot and use our little grey cells to laboriously piece together a plausible story to make sense of the facts. And done well, this is what gives us the fanfics that resonate with readers (er, obviously most of those are not about politics. That's just me. And
![[livejournal.com profile]](https://www.dreamwidth.org/img/external/lj-userinfo.gif)
4. I want to fix that
When I see a bad show or film, or read a bad book, my natural response is to feel tremendously sorry for everyone involved in that travesty. Nicer people pick out the best bits and then rewrite the rest around them to rescue the possibilities of a story from the clusterfuck that happened the first time around.
In my perfect world, these people are employed in Hollywood and Snakes On A Plane was every bit as good as the title suggested.
The fix-up writer can also be of the type that fixes problems that not everyone thinks are problems. For example, some people write H/D because they cannot stand the idea of Harry Potter marrying Ginny Weasley and they want to rescue him from such a fate. I can see how the lengthy Oedipal issues and singular lack of chemistry between the film actors could lead you in that direction. There is room in this broad church of fandom for all such thinking – as long as no one behaves like the Westboro Baptists. I am glad I missed the Ship Wars Of Whispered Legend, as they sound like a whole lot of crazy to no purpose. We're writing fanfic, kids, none of it is more 'real' than the rest of it.
I do suspect that the writer and (perhaps especially) the reader motivated by 'fixing' could be prone to a little over-investment at times. The two large outbreaks of HOW DARE SHE? that I have seen directed at writers in my time here came about when stories seemed to be possibly about to end with one pairing and then ended with another. In one case, I could sort of see the point if I squinted, because it had been listed as X before it became Y, in the other case I was stunned, because blind Freddy and his dog could see that it was Y all along, but in both cases there was genuine outrage in some camps. Most surprisingly, not one of the people complaining wrote fixup fic to fix the fic. NB that I am all for people having a winge about not liking an ending if they want to, it was the outrage directed at the writer that was boggling.
5. It's all about the community
Fandom is mostly a lovely place to hang out. Quite literally, I have met some of my dearest friends in fandom. One or two of them I might have come across in other ways, but never the others. It's a source of great joy to me to know them.
There is a sufficient diversity of people that you are very likely to find a small set at least with whom you rub along well, and if you are a keen organiser, you can make a significant difference to the community and see it improve as a result of your efforts (far faster than in the real world, most of the time).
For people who are shy, fandom doesn't place huge expectations on you to be forward, and for people who are forward, there are others who will always be happy for the company or for the entertainment.
Your life experiences are often in line with those of others, or else valuable for giving advice, comfort or support to others. There is a real sense of sharing and giving that is respected and well-regarded, and these are all very positive aspects of the community that make it a valuable place for us.
Occasionally people act like complete bananas, but that's true of everywhere. Usually they go back to being fine after the bananadom passes, which is not always the case in many other aspects of life. And if you have irreconcilable differences, you can always defriend them! So much easier than in RL!
The other good community aspect of fanfic is finding writers and artists who function together in a mutually supportive way. I am reading a story at the moment from a fest last year, which was written by one friend of mine and then beta-ed by two others (and some other people). I can see the pen of the author, but I can also see the other two helping her to shine in ways that might have been a bit less obvious had she worked without their influence (which is not strong enough to be a collaboration, while being beyond a simple edit). I know that thousands of miles separate the author and one of her betas, but thanks to the magic of fandom, they were able to come together and make something that is so far very beautiful (I feel sure it will be all the way to the end, but I like to hedge my bets!)
6. I need the practise
For me, this is a brilliant reason to write fanfic. Whether someone needs to learn how to write, to work on a particular element of story work, or else to just practise the discipline of sitting down and doing it, fic gives a supportive framework that lets anyone form the novice to the published writer slot in at a level he or she feels comfortable with.
This is one area where I think Fests are a really good idea, because most act like supportive workshops for writers -- indeed, many actually come along with comms that function as workshops. Novice writers can be paired up with betas who can hold their hand and help them to get the words down on paper, and then fest feedback tends to be overwhelmingly kind and encouraging, which is a good thing on the whole, as writing is like singing in public or declaring your love for someone – quite soul-baring for most!
The one area in which fanfic is not as helpful for writers as practise is in looking for serious criticism, because it's bloody hard to find. And sometimes the criticism you are given is not 'this is what is flawed with your story', but rather, 'this is what I wish you had written instead'. Luckily, the fanfic community also comes with a beta-ing community, and most people who beta are brilliant and adept at telling writers what could be better in ways that encourage them to be better rather than to sit under the shower crying for half an hour.
Alas, I am the unhelpful and inappropriate sort of beta, ask
![[livejournal.com profile]](https://www.dreamwidth.org/img/external/lj-userinfo.gif)
7. I need the praise
There is absolutely nothing wrong with needing a good solid bit of encouragement!
Praise is not common enough in the real world. We hear all about it when we cock up, but there is not enough 'YAY! Good work!' when we do some things well. One of the nicest things about fandom is the emphasis on comments and recs, which make it clear that your work is appreciated.
And it's not just writers and artists who are appreciated. People who make comms, produce podfics, make translations, run fests, who are generous with their praise or encouraging to others are all celebrated within fandom, which is something the real world could do with more of. In my industry, we have awards for the best editor, best art director, best headline, but not for the best cleaner, the best prepress person or the best editorial asssitant, despite those people all being essential to what we produce.
Some people in fandom do make more of a performance out of everything than others and can come across as praise-focussed, but seriously, we live in the age of Lady Gaga: is it any surprise that a layer of theatricality can be desirable to some in their connections with the internet at large? (Remember that you are being asked this by a woman who not-infrequently refers to herself in the third person, using a pseudonym.)
I do sometimes wish that some people in fandom stretched themselves more in their writing and art, but this is because I am greedy and when I see someone who I think is amazing sticking to fairly safe audience pleasers, I greedily want to see what they would produce if they tackled something tougher, because I am fairly sure they would be brilliant. But that's my problem, not theirs.
Unless they're sticking to safety for fear of failure rather than just because they enjoy it, in which case, failure is fun! You should see me play tennis, it's HILARIOUS! (Well, unless I am playing doubles, in which case it is frustrating for my partner, but they will have bullied me into it after being warned, so it's not my fault. I am good at sport, I am wretched at tennis. Ergo, tennis is a Dark Art and not a sport. QED.)
8. I really just want to read
Fandom is a great place for this set who just stick to reading. Things are free, there is a seemingly endless supply, and some of the works are of truly brilliant quality. Laughing!
Some of this set has surprisingly felt that they weren't 'doing enough' in the past. They were people who really loved to read and wanted to be involved at a higher level, so felt pushed to writing as a 'contribution'. Since Glompfest was invented, I have not read a single person say that this was why they were writing fic, while before it was a rare but definitely seen motivation.
I love the fact that Glompfest makes people feel appreciated without making them feel they have to produce things. At the same time, some of the people who complained that they felt they had to produce something ended up loving it and being brilliant at it. While I am never one to make people feel they have to do anything, I do think that if people have even an inkling of an urge, they should give it a go. And then post it somewhere like ffnet or deviant art where there is a bigger audience than on LJ so you won't be miserable if you have the bad luck to put it up on the one day when all your flist has the flu, finals, and work deadlines and so misses it.
9. I'm here for the porn (though what I am doing on this journal is a mystery)
My dear and brilliant friend
![[livejournal.com profile]](https://www.dreamwidth.org/img/external/lj-userinfo.gif)
I have no idea what she means. Mr Brammers totally exists.
![[livejournal.com profile]](https://www.dreamwidth.org/img/external/lj-userinfo.gif)
10. IT IS MY LIFE
I know that these people exist, and that they are focussed on their fandoms beyond the abilities of mere mortals. But regardless of how much some of my flist loves Potter, I've seen the Twilight people, and this set has its spiritual home over there.
Being unable to focus on even my own essay for 10 whole points, I will just smile nicely at this set, and agree that it must be lovely to have a boyfriend who sparkles, and then back away, slowly, maintaining eye contact until I am at an appropriate point to …
… run!
no subject
Date: 2011-08-22 06:14 pm (UTC)I can say the reason I write fan fic is because I like to fill in the holes - I want to know what was going on behind the scenes while the big stuff was going on. I want to know about the little moments that make characters who they are, the ones you never see, just speculate about. And yes, I often put the characters together that *I* wanted to see. I will never believe that Harry and Ginny could last, or that there was enough real love there to produce three kids - at least not happily. So I write him with others. I'm not dismissing Rowling's vision - she is The Creator, after all -but I have a different one.
That's what's brilliant about writing; you have the universe laid out for you to play in freely. It's really a tremendous gift from any author. :)